Recent and Upcoming Events
- TriAngular Bent - a new electroacoustic project featuring Don Preston (piano and electronics), Jeff Boynton (cello and bent circuits) and Philip Mantione (guitar, custom software and analog synthesis).
- FILE 2014 - Electronic Language International Festival - Hypersonica; Three works from the Salvatore CD included in this international festival at the FIESP Cultural Center in San Paulo, Brazil (August - October 2014).
- Southern California Soundscape Ensemble- performance with the SCSE founded by Glenn Bach at the Baldwin Hills Scenic Overlook in Los Angeles. Sponsored by SASSAS (October 2014).
- New 12-channel piece for the USAP (Urban Solar Audio Plant); a solar powered, WI-FI controlled, multichannel sound system for public spaces designed by Peter Eisold, Micha Dawid and Sven Sappelt. Premiere performance/installation in June 2014 (Berlin).
- Included in the radio show Echoes: "The stranger that is next to me," curated by Brandon LaBelle (stress.fm)(Portugal)(Feb. 2014).
- Interview and online presentation of Social Immune System and Radiator as part of NOISES, a project of L'Autre Musique Laboratoire(France)(2014).
- HFTwo Included in iFar Noise Compilation #3 (released February 2014).
- Estman Radio Podcast of Social Immune System as part of Marinella Senatore's exhibition, Public Secrets, Kunst Halle Sankt Gallen (Switzerland) (February - April 2014)
- "Riverside Whistles and Bells" - extended multimedia, site-specific work for carillon, handbell choir, computer and video to happen on the rooftop of the Riverside Art Museum (CA) Supported by a generous grant from NewMusic USA (December 2014).
- "Exuberant Politics" - Chant and Social Immune System to be included in this exhbition at Public Space One Gallery in Iowa City, Iowa (March 2014).
- "Soft Sound Loud Loud Sound Soft" - live performance at the Riverside Art Museum with Glenn Bach as part of the Atlas Sets (January 2014).
- "Homeostasis Lab" - included in this digital collection of work curated by Julia Borges Araña and Guilherme Brandão as part of The Wrong Digital Art Biennale instigated in Sau Paulo, Brazil (October 2013).
- "Long Beach Sound Walk 2013"- Premiere performance/installation by a group of eight sound artists I formed called The Autotelics (October 2013).
- "Manipulated Image @ Coagula Curatorial"- music for experimental videos (ImxCocteau and Roghieh)(June & Sept. 2013).
- "Salvatore"- a new collection of work to be released by the Norwegian Net label Petroglyph Music (September 2013).
- "Imaginary App Exhibition"- featuring Be Happy NOW!; created in collaboration with Alysse Stepanian; Museum | London; Ontario, Canada; The Imaginary App book co-edited by Paul D. Miller AKA DJ Spooky and Svitlana Matviyenko (Sept.-Oct. 2013).
- "The Hidden Sounds" - featured artiston this net radio show heard on basic.fm (Episode 6 - July 2013).
- "Beyond the Sound" - Curated this show of sound art on the FB virtual gallery space, Urban Ranch Projects (July 2013).
- "Festival Futura 2013" - France - "Social Immune System" presented in this acousmatic sound festival (August 2013).
- "Ear Meal" - Los Angeles, CA; Featured performance on this webcast hosted by Alan Nakagawa and streamed on laartstream.com (April 3, 2013)
- "Experimental Sound for Visual Artists and Filmmakers" - Riverside Art Museum, Riverside CA; Organized this two day event featuring a series of workshops and performances supported by a grant from Metlife Creative Connections and Meet The Composer (February 16-17, 2013).
- "Music for Two Cars @ Autry Overlook" - 8601 Mulholland Drive, Los Angeles, CA; A collaborative sound installation created with Daniel Eaton. Included in the Mulholland Dérive event(December 9, 2012).
- Manipulated Image: "memory and identity" - Arena 1 Gallery, Santa Monica, CA; A sound installation included in this event also featuring performances and experimental video screenings (April 29, 2012).
- AvantKino - Seeing Eye to Eye - Freies Museum Berlin - Germany;ImXCocteau, video screening. Music for the video by Alysse Stepanian. (February 25, 2012).
- Gwen Frostic School of Art - Atrium Gallery - Western Michigan University; ImXCocteau, Video installation. Music for the video by Alysse Stepanian. Curated by Adriane Little. (January - February 2012).
- SFNM - Southwest Festival of New Music; Depth of Field and Social Immune System to be included in this festival honoring the centennial of the birth of John Cage. The event will feature the premiere of a new piece by Christian Wolff. (June 2012).
- Ear to the Earth:100xJohn - Participating composer in this project honoring the centennial of the birth of John Cage. Sponsored by the Electronic Music Foundation(2012).
- John Donald Robb Composers' Symposium 2012; Traffic, World Premiere performance of a new brass quintet, UNM, Albuquerque, NM (March 2012).
- "Zeppelin 2011 - Sounds In Cause/Soundscape and Economic Change"; Social Immune System, 16 Channel sound piece at the Centre de Cultura Contemporània in Barcelona(CCCB)(December 2011).
- "Chopped and Stretched"; Sonata for Teeth, sound piece at this exhibition at Drift Station, Lincoln, Nebraska(September/October 2011).
- "LOL: A Decade of Antic Art"; auditionherefreebeer, included in this exhibition at the Baltimore Contemporary Museum (June 2011).
- FILE 2011 - Electronic Language International Festival - Hypersonica; Fabrics, included in this international festival (for the second straight year) at the SESI' Cultural Centre in San Paulo, Brazil (July 2011).
- Lightworks 2011; Fabrics, included in this festival of film, sound and new media that takes place in Grimsby Minster, Grimsby (UK).
- Wet Sounds 2011; Valuri, included this traveling installation in Europe. In Wet Sounds, "the listening space is split into two distinct spaces. Underwater, sound fills perception but despite it being absorbed by the ears and body, listening is a silent and detached yet intimate experience. Overwater, sound interacts with the resonant swimming pool space. Other people's actions such as moving in the water or talking become part of the listening experience. Listening shifts from an internal experience underwater, to an external one outside, uniting in the mid point in a floating position on the water surface." Joel Cahen